I began writing the music for ONCE UPON A TIME IN MEXICO
while writing the script. Since I was going for a more epic tale of
the Mariachi in this 3rd chapter to the EL MARIACHI / DESPERADO series,
I could feel that the music was going to need to be bigger and more
involved that what I had done previously in those earlier films.
I had a few song selections from bands like Juno
Reactor, Tito Larriva, Manu Chao, Del
Castillo , Patricia Vonne and
Brian Setzer that I felt
fit the movie's tone. But for the rest of the movie I felt I
had to go orchestral, to really embellish the iconic imagery. I needed
several
pieces pre-recorded before production would begin, and in preparing
those pre-records I realized I wanted to tackle the composing
chores for the movie, as well. I wanted a Latin orchestral sound
to represent
Mexico as well as the journey of the different characters, infusing
it with Spanish guitar and rhythms.
One aspect of the score that I'm most excited about was the fact
that I asked several of the actors (musicians in their own right)
to come
up with musical ideas that best represented the characters they
were playing. RubÎn Blades supplied me with a bass line for his character,
Antonio Banderas embellished his character's main theme, and Johnny
Depp went out and wrote a whole piece for his character. I'm presenting
it here in the form he sent it to me ("Sands Theme"). It
also plays in the movie when Johnny steps out of the taxicab to get
dressed for the "Coup de Etat." I took Johnny's theme and
made orchestral versions for later in the movie ("The Man With
No Eyes" and "Chicle Boy"), as well as deconstructed
versions that play earlier in the movie ("Eye Patch")
as a way to introduce his theme.
If this sounds like a lot of fun, it was! There was something unique
to how this movie was going to come together, and I wanted the
music to represent that. There aren't a lot of opportunities
in movies where
it's necessary for the music to drive the film, but in this series,
because El Mariachi is a guitar player and music infuses his life,
I could have long passages where the music playing in his head
is telling the story. I listen to the score now and think that,
if anything, it
is definitely part of the strange, unique world that belongs to
EL MARIACHI.
Robert Rodriguez
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